Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Jean Auguste Dominique Ingres
The Dream of Ossian (mk04)

ID: 20409

Jean Auguste Dominique Ingres The Dream of Ossian (mk04)
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Jean Auguste Dominique Ingres The Dream of Ossian (mk04)


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Jean Auguste Dominique Ingres

J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.   Related Paintings of Jean Auguste Dominique Ingres :. | Mme. Moitessier | Portrait of Delphine Ingres,nee Ramel (mk04) | Raphael and La Fornarina (mk04) | Mademoiselle Jeanne Suzanne Catherine Gonin | Apotheosis of Napoleon I (MK04) |
Related Artists:
ekens, Joseph Francis
English, 1702-1748
la patelliere

Paul Serusier
French Painter, 1863-1927 was a French painter who was a pioneer of abstract art and an inspiration for the avant-garde Nabi movement. He studied at the Academie Julian and was a monitor there in the mid 1880s. In the summer of 1888 he travelled to Pont-Aven and joined the small group of artists centered there around Paul Gauguin. While at the Pont-Aven artist's colony he painted a picture that became known as The Talisman, under the close supervision of Gauguin. The picture was an extreme exercise in Cloisonnism that approximated to pure abstraction. He was a Post-Impressionist painter, a part of the group of painters called Les Nabis. Serusier along with Paul Gauguin named the group. Pierre Bonnard, Edouard Vuillard and Maurice Denis became the best known of the group, but at the time they were somewhat peripheral to the core group.






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